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Reunion
©2003 Donald Neal McKay
Absolutely lovely
spring day.
Sun simmering
mother earth
– par
boiling soil
–
plants
and blossoms rising,
surfacing, giving
witness to nature’s
expertise as culinary
genius of creation.
Joy to be alive…
as birds sing
cantabile…
washing
away winter’s
dingy, gray
gloom.
Museum draws
– lures
in springtime
–
me
to visit three
old friends.
They had to come
to me… not I
to them. For
from a different era,
from a long ago
place come
El Lissitzky, Kandinsky
and
Malevich.
Constructivists,
Futurists…
artists of the
highest order,
out
of the creative, cultural
disorder that
Petrograd
served up to the
world in revolutionary
fury.
El Lissitzky, Kandinsky
and Malevich
–
these names aren’t
on Western art tongues
to share space with
Pollock, deKooning
or Picasso.
Check your facts,
look into your history
books all –
place the dates
–
feel the
times…
see if El Lissitzky,
Kandinsky and
Malevich –
three musketeers
–
weren’t full astride
long before the Cubists
mounted their
brushes!
El Lissitzky, my friend,
teacher
– innovator of
the new graphics.
You make type and
design walk across
paper’s surface
in a manner that
challenges eye and
hand – violently fighting
–
calling attention to
–
screaming
to reader: “Pick me up, clod!
Hold me
read me
see me
and
I’ll
shake the pudding
out
of
your brain!”
El Lissitzky made words
work!
Graphics move in
patterns of zig
zag –
meaning flows visually,
impression is violent
–
impact is
profound.
Your
creative bolts
always please,
my friend.
Spring birds
– song sparrows –
their melodies
–
the sweet
winds perfume the
museum with life’s new
song.
Kandinsky
– volcano of genius –
titan!
Wassily, what more
can be said,
as one gazes upon
those
violent colors, the
unchained lines –
shapes
– the power
of your
canvases?
Some
regimented
– most
completely
free…
unrestrained.
Your savage
strokes –
black line squiggling
here,
there
– up,
down –
in,
out –
sprays of undreamt
color combining with
non sequitur.
You
defined abstract
expressionism, you
later giving
up abstract
emotionalism.
Look at your
work, look Kandinsky
as it hangs there.
Frames
groan
just to contain the canvas
–
your thunderbolts
want
to
rip
themselves
from the
wall!
Spring birds
– warblers and robins –
hyacinth and daffodil
–
your
lyrical color is greasepaint
for the museum’s
performance.
Shape upon shape
–
within shape, next
to shape. That
laying on this, this
over that.
Triangle
under bar, under
line
– floating in space
within
canvas.
Nothing – everything.
Flip-flop
– up
down,
flip flop.
Sssstttuutterrerreddd
action, walking geometric
shapes
– white laying
upon white.
Suprematist!
Design
– motion –
energy –
at its purest,
at its
cleanest.
This
from the fountain-
head
of the
Constructivists.
This
from
Malevich!
Malevich,
oh how
I
long for your
reincarnation.
There
is none your
like this day
who dare to do
what you
did
and
pull it
off!
You
breathed life
into lifeless
oils.
Your
canvas served
as a plane for
Pythagorean
theories set
into awe-
striking
motion.
Your
brush
was
the
finger
of a
mechanistic
god;
your
palette had the
force of a
division of
artillery!
Spring birds
– eagles and falcons –
tulips and centurions
–
your
majesty serves as a
crown for the museum
royal.
Poor Malevich,
poor Kandinsky,
poor El Lissitzky,
three of the glowing
lights of the people’s
revolution –
only to be smothered
in Mother Russia
by the deprivation
of
free
thought –
stolen
from yourselves
and other citizens
by the
steel man.
Oh,
Malevich
poor
Malevich –
Staling
made
Mayakovsky
the revolution’s
poet –
why weren’t you
the revolution’s
supreme
artist?
The
answer, drogi druzba
is
you had no
Lili Brik.
Spring birds
– vultures and crows –
lily of the valley and…
your
song reminds us
museums
can also be
showcases of turmoil,
and repression,
war
and
death.
Hear
the
Spring shower
lay its wet lace
over head
–
the
museum sings a soft
hollow melody – a
lullaby to
enrapture
its enshrined treasures
‘till new day’s
dawn.
This, I too, take
my
cue, bid
farewell
–
bid
God’s speed
–
bid
posterity’s
remembrance
to
El Lissitzky,
Kandinsky
and
Malevich.
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